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BATONI, Pompeo Oil Painting Reproductions
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BATONI, Pompeo Diana Cupid oil


BATONI, Pompeo
Diana Cupid
Painting ID::  18866
new3/BATONI, Pompeo_WuyCNd.jpg 		Diana Cupid
1761, oil on canvas, Metropolitan Museum of Art, New York
   
   
     
BATONI, Pompeo Portrait of Charles Crowle oil


BATONI, Pompeo
Portrait of Charles Crowle
Painting ID::  4980
BATONI, Pompeo1.jpg 		Portrait of Charles Crowle
1761-62 Oil on canvas, 248 x 172 cm Mus??e du Louvre, Paris
   
   
     
BATONI, Pompeo The Ecstasy of St Catherine of Siena oil


BATONI, Pompeo
The Ecstasy of St Catherine of Siena
Painting ID::  4981
BATONI, Pompeo2.jpg 		The Ecstasy of St Catherine of Siena
1743 Oil on canvas Museo di Villa Guinigi, Lucca
   
   
     
BATONI, Pompeo Madonna and Child ewgdf oil


BATONI, Pompeo
Madonna and Child ewgdf
Painting ID::  4982
BATONI, Pompeo3.jpg 		Madonna and Child ewgdf
c. 1742 Oil on canvas Galleria Borghese, Rome
   
   
     
BATONI, Pompeo Sir Gregory Page-Turner dfhf oil


BATONI, Pompeo
Sir Gregory Page-Turner dfhf
Painting ID::  4983
BATONI, Pompeo4.jpg 		Sir Gregory Page-Turner dfhf
1768 Oil on canvas, 135 x 99 cm Private collection
   
   
     
BATONI, Pompeo Sensuality dhg oil


BATONI, Pompeo
Sensuality dhg
Painting ID::  4984
BATONI, Pompeo5.jpg 		Sensuality dhg
1747 Oil on canvas, 138 x 100 cm The Hermitage, St. Petersburg
   
   
     
BATONI, Pompeo Susanna and the Elders gmg oil


BATONI, Pompeo
Susanna and the Elders gmg
Painting ID::  4985
BATONI, Pompeo6.jpg 		Susanna and the Elders gmg
Oil on canvas Civici Musei, Pavia
   
   
     
BATONI, Pompeo Achilles at the Court of Lycomedes oil


BATONI, Pompeo
Achilles at the Court of Lycomedes
Painting ID::  18865
new3/BATONI, Pompeo_xgqEnr.jpg 		Achilles at the Court of Lycomedes
1745, oil on canvas, Galleria degli Uffizi, Florence
   
   
     
BATONI, Pompeo Portrait of Princess Giacinta Orsini Buoncampagni Ludovisi oil


BATONI, Pompeo
Portrait of Princess Giacinta Orsini Buoncampagni Ludovisi
Painting ID::  43814
new16/BATONI, Pompeo-278966.jpg 		Portrait of Princess Giacinta Orsini Buoncampagni Ludovisi
c. 1758 Oil on canvas, 137 x 100 cm
   
   
     
BATONI, Pompeo Gleichnis vom verlorenen Sohn oil


BATONI, Pompeo
Gleichnis vom verlorenen Sohn
Painting ID::  71872
new23/BATONI, Pompeo-899395.jpg 		Gleichnis vom verlorenen Sohn
1773 Oil on canvas 138 x 100,5 cm
   
   
     
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     BATONI, Pompeo
     Italian Rococo Era Painter, 1708-1787 He was born in Lucca, the son of a goldsmith, Paolino Batoni. He moved to Rome in 1727, and apprenticed with Agostino Masucci, Sebastiano Conca and/or Francesco Imperiale (1679-1740). By the early 1740s, however, he started to receive independent commissions. In 1741, he was inducted into the Accademia di San Luca. His celebrated painting, The Ecstasy of Saint Catherine of Siena (1743) illustrates his academic refinement of the late-Baroque style. Another masterpiece, his Fall of Simon Magus was painted initially for the St Peter's Basilica. Batoni became a highly-fashionable painter in Rome, particularly after his rival, the proto-neoclassicist Anton Raphael Mengs, departed for Spain in 1761. Batoni befriended Winckelmann and, like him, aimed in his painting to the restrained classicism of painters from earlier centuries, such as Raphael and Poussin, rather than to the work of the Venetian artists then in vogue. He was greatly in demand for portraits, particularly by the British traveling through Rome , who took pleasure in commissioning standing portraits set in the milieu of antiquities, ruins, and works of art. There are records of over 200 portraits by Batoni of visiting British patrons . Such "Grand Tour" portraits by Batoni came to proliferate in the British private collections, thus ensuring the genre's popularity in the United Kingdom, where Sir Joshua Reynolds would become its leading practitioner. In 1760, the painter Benjamin West, while visiting Rome would complain that Italian artists "talked of nothing, looked at nothing but the works of Pompeo Batoni". In 1769, the double portrait of Joseph II and Leopold II won an Austrian nobility for Batoni. He also portrayed Pope Pius VI. According to a rumor, he bequeathed his palette and brushes to Jacques-Louis David.

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